Cinthya Santos Briones
Cinthya Santos Briones is a visual artist, educator, and cultural organizer with indigenous Nahua roots in New York. Briones serves as adjunct faculty at the Graduate School of Journalism at CUNY and as a Visiting Critic artist at Columbia University. She holds an MFA in creative writing and photography from Cornell University and a certificate in Documentary Practice and Visual Journalism from the International Center of Photography (ICP). She has studied ethnohistory and anthropology at the Escuela Nacional de Antropología e Historia in México and worked as a researcher at the National Institute of Anthropology and History, focussing on indigenous migration, codex, textiles, and traditional medicine. As a writer, her texts have been published in academic and journalistic magazines such as NACLA and The Nation and newspapers such as La Jornada. She is co-author of The Indigenous Worldview and its Representations in Textiles of the Nahua community of Santa Ana Tzacuala, Hidalgo, and the documentary, The Huichapan Codex. As an artist, her work focuses on a multidisciplinary social practice that combines participatory art and the construction of collective narratives. Through non-linear storytelling mediums, she juxtaposes photography, historical archives, writing, ethnography, drawings, collage, embroidery, and popular education. Briones has been awarded fellowships and grants from the Magnum Foundation (2016/2018/2020), En Foco (2017/2022), National Geographic Research and Exploration (2018), We Woman (2019), City Artist Corps (2020), National Fund for Culture and the Arts of México (2009/2011), Wave Hill House Winter Residency (2023), Mellon Artist Fellow at Hemispheric Institute in NYU University (2023-24), BricLab Contemporary Art (2023), etc. Her work has been published in The New York Times, Pdn, California Sunday Magazine, Vogue, Open Society Foundations, Buzzfeed, The Intercept, New Yorker, and The Nation Magazine, among others. Briones has exhibited her work individually and collectively in galleries and museums such as Sky Blue Gallery in Portland, Oregon, Latinx Project, NYU, International Center Of Photography, Museo del Barrio, Museum of the City of New York, Trout Museum in Wisconsin, Paul W. Zuccaire Gallery, and Stony Brook. She has worked at pro-immigrant organizations in New York as a community organizer on issues such as detection, education, and sanctuary and has volunteered in programs accompanying migrants to the courts and asylum applications. Briones is a guardian of unaccompanied migrant children and a member of Colectiva Infancias, anthropologists who work through ethnographic and visual research on studies around childhood about migration, violence, urban studies, and epistemologies of the Global South.
